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Ackermann, Zeno, and Sabine Schülting. “Einleitung: Überlegungen zu einer Kulturgeschichte der Shylock-Figur seit 1945.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 3–10. Print. Conditio Judaica 78.

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—. “Vorwort.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 1–2. Print. Conditio Judaica 78.

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Behlau-Dengler, Ulrike. Zakhor! Remembering the British-Jewish Experience in British-Jewish Drama After 1945. Trier: Wissenschaftlicher Verlag Trier, 2011. Print. CDE Studies 21.

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—. “Arnold Wesker: The Radical Bard of Working Britain.” 13 Apr. 2016. Web. 14 Apr. 2016.

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—. ed. Transformation: Ein Konzept zur Erforschung kulturellen Wandels. Paderborn: Wilhelm Fink Verlag, 2011. Print.

Brauner, David. Post-War Jewish Fiction: Ambivalence, Self-Explanation and Transatlantic Connections. Basingstoke: Palgrave, 2001. Print.

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Bronfen, Elisabeth. “Man wird weder als Frau noch als Jude geboren: Was wir von Lubitschs über den Kaufmann von Venedig lernen können.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 201–17. Print. Conditio Judaica 78.

Cappell, Ezra. “Sarah Blacher Cohen’s Comic Drama of Disability.” Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 53–59. Print. MUSE: Mainz University Studies in English Vol. 5.

Cavendish, Dominic. “Is ‘Our Class’ at the National Theatre Really Such a Reliable History Lesson?” The Telegraph 1 Jan. 2009. Print.

Cesarani, David, ed. The Making of Modern Anglo-Jewry. Oxford: Blackwell, 1990. Print.

—. “The Dynamics of Diaspora: The Transformation of British Jewish Identity.” Jewish Culture and History 4.1 (2001): 53–64. Print.

Chan, Sewell. “Arnold Wesker, Who Wrote British Dramas of the Working Class, Dies at 83.” New York Times 13 Apr. 2016. Web. 14 Apr. 2016.

Cheyette, Bryan. “‘Ineffable and Usable’: Towards a Diasporic British‐Jewish Writing.” Textual Practice 10.2 (1996): 295–313. Print.

—. Contemporary Jewish Writing in Britain and Ireland: An Anthology. Lincoln: U of Nebraska P, 1998. Print.

Chilton, Martin. “Arnold Wesker, Playwright, Dies Aged 83.” The Telegraph 13 Apr. 2016. Web. 14 Apr. 2016.

Cohen, Robin. Global Diasporas: An Introduction. 2. ed. London, New York: Routledge, 2008. Print.

Cross, Robert. Steven Berkoff and the Theatre of Self-Performance. Manchester: Manchester UP, 2004. Print.

Dobrowolski, Andrzej, and Agata Dudek. “Our Class in New York.” Culture.pl (2010). Print.

Doherty, Rosa. “Labour Councillor Called for the Relocation of Jews.” The Jewish Chronicle 2 May 2016. Print.

Dysch, Marcus. “Playwright Sir Arnold Wesker Dies Aged 83.” The Jewish Chronicle 13 Apr. 2016. Web. 14 Apr. 2016.

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Endelman, Todd M. The Jews of Britain, 1656 to 2000. Berkeley: U of California P, 2002. Print. Jewish Communities in the Modern World 3.

Fabriczki, Franciska. “Directors Mike Leigh and Ken Loach Call for Boycott of Israel Film Festival.” The Jewish Chronicle 1 Jan. 2015. Print.

Feinberg, Anat. “Theater: Europe.” The Cambridge Dictionary of Judaism and Jewish Culture. Ed. Judith R. Baskin. Cambridge, New York: Cambridge UP, 2011. 593–94. Print.

—. “Vom bösen Nathan und edlen Shylock: Überlegungen zur Konstruktion jüdischer Bühnenfiguren in Deutschland nach 1945.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 41–61. Print. Conditio Judaica 78.

Finlay, Joseph. “There’s No Place Like Home.” Jewish Quaterly 7 May 2009. Web. 14 Apr. 2016.

Fludernik, Monika. Diaspora and Multiculturalism: Common Traditions and New Developments. Amsterdam: Rodopi, 2003. Print. Cross Cultures 66.

Franchi, Francesca. Directory of Performing Arts Resources. London: Society for Theatre Research; Theatre Museum, 1998. Print.

Galchinsky, Michael. “The New Anglo-Jewish Literary Criticism.” Prooftexts 1.3 (1995): 272–82. Print.

Gilbert, Ruth. Writing Jewish: Contemporary British-Jewish Literature (1990-the present). Palgrave, 2013. Print.

—. ”‘Genes, Shmenes’: Jew-ish Identities in Contemporary British Jewish Writing”. European Judaism: A Journal for the New Europe 47.2 (2014): 12–20. Print.

—. “Displaced, Dysfunctional & Divided: Contemporary British Jewish Writing.” Whatever Happened to British-Jewish Studies?, Special Issue of Jewish Culture and History 12.1–2 (2010): 267–80. Print.

—.”Contemporary British-Jewish Writing: From Apology to Attitude.” Literature Compass 5 (2008): 394–406. Print.

—.”The Golem in the Attic: Jewish Memory and Identity in Rachel Lichtenstein and Iain Sinclair’s Rodinsky’s Room.” Jewish Culture and History 9.1 (2007): 51–70. Print.

—. ”Ever After: Postmemory, Fairy Tales and the Body in Second-Generation Memoirs by Jewish Women.” Holocaust Studies 12. 3 (2006): 23–39. Print.

—. “Reality Gaps: Negotiating the Boundaries of British Jewish Identities in Contemporary Fiction.” Boundaries, Identity and Belonging in Modern Judaism. Ed. Maria Diemling and Larry Ray. London: Routledge, 2015. 107-20. Print.

—. “Jewish, Half-Jewish, Jew-ish: Negotiating Identities in Contemporary British-Jewish Literature.” Edinburgh Companion to Modern Jewish Literature. Ed. David Brauner and Axel Stähler. Edinburgh: Edinburgh UP, 2014. 210-20. Print.

Gilman, Sander L. The Jew’s Body. New York: Routledge, 1991. Print.

—. Making the Body Beautiful: A Cultural History of Aesthetic Surgery. Princeton: Princeton UP, 1999. Print.

Ginsberg, Elaine K., ed. Passing and the Fictions of Identity. Durham: Duke UP, 1996. Print.

Glancy, Josh. “Can You Still Be Jewish on the British Left?” Tablet Mag 25 Mar. 2015. Web. 28 Apr. 2016.

Gluzman, Michael. The Politics of Canonicity: Lines of Resistance in Modernist Hebrew Poetry. Stanford: Stanford UP, 2003. Print.

Greenhalgh, Susanne. “’A Space for Me:’ Jewishness, Memory, and Identity in Julia Pascal’s Holocaust Trilogy.” Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 29–40. Print. MUSE: Mainz University Studies in English Vol. 5.

Greiner, Bernhard. “Is that the Law? Die Metaphorisierung des Rechts als Problem der Interpretation des Kaufmann von Venedig.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 189–200. Print. Conditio Judaica 78.

Guest, Katy. “Shelley Silas and Evan Davis Share Their Coming Out Experiences.” Independent 12 Oct. 2013. Web. 21 Apr. 2016.

Hamburger, Maik. “Unser Shakespeare – Ein Judenfeind? Der Kaufmann von Venedig auf den Bühnen der DDR.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 85–99. Print. Conditio Judaica 78.

Hewis, Ben. “Arnold Wesker in Quotes.” WhatsOnStage 13 Apr. 2016. Web. 14 Apr. 2016.

Hirsh, David. “Anti-Zionism and Antisemitism: Cosmopolitan Reflections.” dissentmagazine.org (2007). Web. 14 Aug. 2018.

—. “Portia, Shylock and the Exclusion of Israeli Actors from the Global Cultural Community.” Engage (2012). Print.

Hirte, Marion. “Besichtigung einer Mehrheitsgesellschaft: Dramaturgische Thesen zu einem aktuellen Inszenierungsansatz des Kaufmann von Venedig.” Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Schülting. Berlin: De Gruyter, 2011. 159–68. Print. Conditio Judaica 78.

Innes, Christopher D., Katherine Carlstrom, and Scott Fraser. Twentieth Century British and American Theatre: A Critical Guide to Archives. Aldershot: Ashgate, 1999. Print.

Jacobs, Gerald. “Review: The Holy Rosenbergs.” The Jewish Chronicle 1 Jan. 2011. Print.

Judah, Ben and Josh Glancy. “A Polite Hatred Howard: Jacobson on Anti-Semitism in the UK.” Tablet Mag 25 Feb. 2015. Web. 28 Apr. 2016.

Julius, Anthony. Trials of the Diaspora: A History of Anti-Semitism in England. Oxford: Oxford UP, 2010. Print.

Kahn, Barbara. “Using Facts in Fiction: Notes on Writing Historical Plays.” Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 41–52. Print. MUSE: Mainz University Studies in English Vol. 5.

Kirka, Danika. “Prolific British Playwright Arnold Wesker Dies at Age 83.” Bozeman Daily Chronicle 13 Apr. 2016. Web. 14 Apr. 2016.

Knepper, Paul. “The Other Invisible Hand: Jews and Anarchists in London Before the First World War.” Jewish History 22.3 (2008): 295–315. Print.

Knowles, Richard P. Theatre & Interculturalism. Houndmills: Palgrave, 2010. Print.

Kosmin, Barry A. “Radical Assimilation in English Jewish History 1656-1945.” Shofar: An Interdisciplinary Journal of Jewish Studies 9.3 (1991): 143–44. Print.

Krausz, Ernest, and Gitta Tulea. Jewish Survival: The Identity Problem at the Close of the Twentieth Century. New Brunswick: Transaction Publishers, 1998. Print.

Kurkiewicz, Juliusz, and Joanna Dutkiewicz. “Tadeusz Słobodzianek: Work ‘Our Class’.” Culture.pl (2010). Print.

Kushner, Antony R. J., ed. The Jewish Heritage in British History: Englishness and Jewishness. London: Cass, 1992. Print.

Kushner, Tony. “Anglo Jewish Museology and Heritage, 1887 to Present.” Jewish Cultures: With Contributions on Museology, British Jewish Cinema, Ultraorthodox Jews, Postmemorial Art, and Contemporary British Jewish Fiction. Ed. Claudia Sternberg. Tübingen: Narr, 2009. 11–25. Print. Journal for the Study of British Cultures 1.

—. Anglo-Jewry since 1066: Place, Locality and Memory. Manchester: Manchester UP, 2009. Print.

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Lawson, Peter. Anglo-Jewish Poetry from Isaac Rosenberg to Elaine Finestein. Middlesex: Vallentine Mitchell, 2006. Print.

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Malkin, Jeanette R. Memory-Theater and Postmodern Drama. Ann Arbor: U of Michigan P, 1999. Print.

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—. “Better than Chicken Soup – Arnold Wesker, Britain’s Ibsen.” The Jewish Chronicle 3 June 2011. Print.

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