{"id":43,"date":"2016-07-07T16:08:05","date_gmt":"2016-07-07T16:08:05","guid":{"rendered":"http:\/\/britishjewishtheatre.org\/?page_id=43"},"modified":"2024-05-08T10:02:01","modified_gmt":"2024-05-08T10:02:01","slug":"julia-pascal","status":"publish","type":"page","link":"https:\/\/britishjewishtheatre.org\/?page_id=43","title":{"rendered":"Pascal, Julia"},"content":{"rendered":"

\"\"<\/a>Julia Pascal is a playwright, theatre director and scholar. She trained as an actor and performed at The National Theatre, The Royal Court Theatre and in television, film, and radio. Pascal was the first female director at the National Theatre. As a playwright, her honours include a Fellowship from the National Endowment for Science, Technology and the Arts, and an Alfred Bradley BBC Award. Her plays have been performed internationally. She is best known for\u00a0The Holocaust Trilogy <\/em>(2000). The first play,\u00a0Theresa,\u00a0<\/i>explores the fate of Theresia Steiner who was deported \u00a0from Guernsey in 1942. It revealed British collaboration with the Nazis on the Channel Islands. Theresa <\/i>was followed by A Dead Woman on Holiday,\u00a0<\/em>set during the Nuremberg Trials. The third play of the trilogy is Pascal\u2019s adaptation of Shloyme Ansky\u2019s\u00a0The Dybbuk<\/em>. Her production toured Europe and travelled to New York. In 2007 she produced a modern adaptation of Shakespeare\u2019s\u00a0The Merchant of Venice<\/em>\u00a0for the Arcola Theatre in London, later published as\u00a0The Shylock Play<\/em>\u00a0(2009). Other dramas include\u00a0The Yiddish Queen Lear<\/em>\u00a0(1999) and\u00a0Woman in the Moon <\/em>(2001). In 2003 she premiered Crossing Jerusalem<\/i> at The Tricycle Theatre. The play is set in the last intifada. Twice successfully produced in London, it caused controversy at Miami\u2019s Michael Ann Russell Jewish Community Centre for its critique of Israel. Pascal has addressed provocative aspects of Jewish identity and challenges stereotypes, particularly those of Jewish women. In 2016 she completed her PhD from the University of York. Her thesis examines The Absence of Jewish Female Characters on the Postwar English Stage.<\/i> All her plays are published by Oberon Books, the most recent volume being\u00a0Political Plays<\/em> (2013). Her drama: As Happy As God In France<\/i> focuses on a meeting between Hannah Arendt, Eva Daube and Charlotte Salomon in Vichy\u2019s Gurs internment camp. This was produced in 2019-2020 and was seen at Burgh House, Hampstead for Holocaust Memorial Day 2023. Pascal’s play Blueprint Medea<\/em>\u00a0premiered at the Finborough Theatre in May 2019. Loosely based on Euripides’ Medea<\/em>, it is a play about a Kurdish freedom fighter from Turkey who comes to London as a refugee. Pascal’s play 12-37<\/em>, which is about Irish and Jewish nationalism, premiered in 2022. A Manchester Girlhood<\/em> debuted at the Manchester Jewish Museum in 2023, as well as at the Old Electric Theatre in Blackpool.<\/p>\n

For more information visit http:\/\/www.juliapascal.org\/wordpress\/category\/news\/<\/a>.<\/p>\n

Plays<\/p>\n

—. The Holocaust Trilogy: The Dybbuk; Dead Woman on Holiday; Theresa<\/i>. London: Oberon Books, 2000.<\/span><\/span><\/p>\n

—. The Yiddish Queen Lear; Woman in the Moon<\/i>. London: Oberon Books, 2001.<\/span><\/span><\/p>\n

—.\u00a0Crossing Jerusalem; Year Zero; The Golem; St. Joan<\/i>. London: Oberon Books, 2003.<\/span><\/p>\n

—.\u00a0The Shylock Play<\/i>. London: Oberon Books, 2007.<\/span><\/p>\n

—.\u00a0Political Plays: Honeypot; Broken English; Ninevah; Woman on the Bridge<\/i>. London: Oberon Books, 2013.<\/i><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Julia Pascal is a playwright, theatre director and scholar. She trained as an actor and performed at The National Theatre, The Royal Court Theatre and in television, film, and radio. Pascal was the first female director at the National Theatre. As a playwright, her honours include a Fellowship from the National Endowment for Science, Technology […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":565,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=43"}],"version-history":[{"count":31,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":3213,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions\/3213"}],"up":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/565"}],"wp:attachment":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}