{"id":418,"date":"2016-08-18T16:31:53","date_gmt":"2016-08-18T16:31:53","guid":{"rendered":"http:\/\/britishjewishtheatre.org\/?page_id=418"},"modified":"2024-05-07T08:55:59","modified_gmt":"2024-05-07T08:55:59","slug":"mike-leigh","status":"publish","type":"page","link":"https:\/\/britishjewishtheatre.org\/?page_id=418","title":{"rendered":"Leigh, Mike"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/britishjewishtheatre.org\/?page_id=732\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-669 size-medium\" title=\"Click this image to get more information about the copyright\" src=\"http:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-300x300.jpg 300w, https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-150x150.jpg 150w, https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-768x768.jpg 768w, https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-1024x1024.jpg 1024w, https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-90x90.jpg 90w, https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh-220x220.jpg 220w, https:\/\/britishjewishtheatre.org\/wp-content\/uploads\/2016\/08\/Leigh.jpg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Mike Leigh OBE is a director and playwright who was born in Brocket Hall, Hatfield in 1943. He was raised in a Jewish home in Salford within the Manchester Jewish community.<\/p>\n<p><span lang=\"en-GB\">Leigh was educated at the Salford Grammar School and won a scholarship to RADA to train as an actor. He continued his studies at various institutions including the Camberwell School of Arts and Crafts, the Central Saint Martin\u2019s College of Art and Design, and the London School of Film Technique. <\/span><\/p>\n<p><span lang=\"en-GB\">In 1965, he held a position as an assistant director at the Midlands Art Centre in Birmingham where he innovated the idea of writing and rehearsing in one process. In 1966\/67, he worked as an assistant director for the Royal Shakespeare Company on productions of <\/span><span lang=\"en-GB\"><i>Macbeth <\/i><\/span><span lang=\"en-GB\">and <\/span><span lang=\"en-GB\"><i>The Taming of the Shrew. <\/i><\/span><span lang=\"en-GB\">H<\/span><span lang=\"en-GB\">e then went on to direct a number of plays in London before returning to Manchester to conduct drama classes at a women\u2019s training college. During this time, he also directed two big-cast productions for the Manchester Youth Theatre <\/span><span lang=\"en-GB\"><i>Big Basil <\/i><\/span><span lang=\"en-GB\">(1969) and <\/span><span lang=\"en-GB\"><i>Glum Victoria and the Lad with<\/i><\/span><span lang=\"en-GB\"><i> Specs <\/i><\/span><span lang=\"en-GB\">(<\/span><span lang=\"en-GB\">1969<\/span><span lang=\"en-GB\">)<\/span><span lang=\"en-GB\">. <\/span><\/p>\n<p><span lang=\"en-GB\">In the 1970s, Leigh directed nine television plays including <\/span><span lang=\"en-GB\"><i>Nuts in May <\/i><\/span><span lang=\"en-GB\">(1975) and <\/span><span lang=\"en-GB\"><i>Abigail\u2019s Party <\/i><\/span><span lang=\"en-GB\">(1977). After the death of his father in 1985 Leigh\u2019s career slowed and he took up a teaching post at the Australian Film School in Sydney.<\/span><\/p>\n<p><span lang=\"en-GB\">Upon his return to the UK, Leigh and Simon Channing Williams founded the film company Thin Man Films in 1988. His films include <\/span><span lang=\"en-GB\"><i>High Hopes <\/i><\/span><span lang=\"en-GB\">(1988), <\/span><span lang=\"en-GB\"><i>Naked <\/i><\/span><span lang=\"en-GB\">(1993), and <\/span><span lang=\"en-GB\"><i>Vera Drake <\/i><\/span><span lang=\"en-GB\">(2004).<\/span><\/p>\n<p>Leigh was appointed an Officer of the Order of the British Empire for his services to the film industry, in the 1993 Birthday Honours.<\/p>\n<p><span lang=\"en-GB\">Leigh&#8217;s play <\/span><span lang=\"en-GB\"><i>Two Thousand Years <\/i><\/span><span lang=\"en-GB\">(2005), which opened at the National Theatre, focuses on a left-wing secular Jewish family in contemporary Britain and the divisions within the family that occur when its youngest member turns more and more towards religion. Leigh mentions in a foreword to the play that this was the first time that he drew on his Jewish origin as a source of inspiration.<\/span><\/p>\n<p><span lang=\"en-GB\">Leigh has won numerous awards for his work. At Cannes he won Best Director for <\/span><span lang=\"en-GB\"><i>Naked <\/i><\/span><span lang=\"en-GB\">in 1993 and the Palme d\u2019Or<\/span><i> <\/i><span lang=\"en-GB\">in 1996 for <\/span><span lang=\"en-GB\"><i>Secrets &amp; Lies. <\/i><\/span><span lang=\"en-GB\">In 2004, <\/span><span lang=\"en-GB\"><i>Vera Drake<\/i><\/span><span lang=\"en-GB\"> won the <\/span><span lang=\"en-GB\">Leone d\u2019Oro<\/span><i> <\/i><span lang=\"en-GB\">for the Best Film at the International Venice Film Festival. Leigh has been nominated seven times for an Academy Award, twice each (Best Original Screenplay and Best Directing) for <\/span><span lang=\"en-GB\"><i>Vera Drake <\/i><\/span><span lang=\"en-GB\">and <\/span><span lang=\"en-GB\"><i>Secrets &amp; Lies,<\/i><\/span><span lang=\"en-GB\"> as well as <\/span><span lang=\"en-GB\">Best Screenplay for <\/span><span lang=\"en-GB\"><i>Topsy-Turvy <\/i><\/span><span lang=\"en-GB\">(1999), <\/span><span lang=\"en-GB\"><i>Happy-Go-Lucky <\/i><\/span><span lang=\"en-GB\">(2008), and <\/span><span lang=\"en-GB\"><i>Another Year <\/i><\/span><span lang=\"en-GB\">(2010). <\/span>He became a Fellow of the Royal Society of Literature in 2008 and was the Jury President of the 62<sup><span lang=\"en-GB\">nd<\/span><\/sup><span lang=\"en-GB\"> Berlin International Film Festival in 2012. Leigh also conducted<em> The Pirates of Penzance<\/em> Opera in 2015. His most recent works include the films <em>Mr Turner<\/em> (2014) and Peterloo (2018) which focuses on the 1819 Peterloo Massacre. Leigh&#8217;s latest movie <em>Hard Truths<\/em> started production in 2023, after the pandemic delayed the original 2020 start date.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Plays<\/p>\n<p class=\"western\" align=\"LEFT\"><span style=\"font-family: Tahoma, sans-serif;\"><span style=\"font-size: small;\">&#8212;. <i>Goose-Pimples<\/i>. London: Samuel French, 1982.<\/span><\/span><\/p>\n<p class=\"western\" align=\"LEFT\"><span style=\"font-family: Tahoma, sans-serif;\"><span style=\"font-size: small;\">&#8212;. <i>Smelling a Rat<\/i>. London: Nick Hern Books, 1997.<\/span><\/span><\/p>\n<p class=\"western\" align=\"LEFT\"><span style=\"font-family: Tahoma, sans-serif;\"><span style=\"font-size: small;\">&#8212;. <i>Two Thousand Years<\/i>. London: Faber and Faber, 2006.<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Tahoma, sans-serif;\"><span style=\"font-size: small;\">&#8212;. <i>Grief<\/i>. London: Faber and Faber, 2011.<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Tahoma, sans-serif;\"><span style=\"font-size: small;\">&#8212;. <i>Ecstasy<\/i>. London: Nick Hern Books, 2012.<\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"font-family: Tahoma, sans-serif;\"><span style=\"font-size: small;\">&#8212;. <i>Abigail\u2019s Party. <\/i>New York:\u00a0Viking, 2018.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Mike Leigh OBE is a director and playwright who was born in Brocket Hall, Hatfield in 1943. He was raised in a Jewish home in Salford within the Manchester Jewish community. Leigh was educated at the Salford Grammar School and won a scholarship to RADA to train as an actor. He continued his studies at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":563,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=418"}],"version-history":[{"count":18,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/418\/revisions"}],"predecessor-version":[{"id":3194,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/418\/revisions\/3194"}],"up":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/563"}],"wp:attachment":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}