{"id":271,"date":"2016-07-27T08:48:06","date_gmt":"2016-07-27T08:48:06","guid":{"rendered":"http:\/\/britishjewishtheatre.org\/?page_id=271"},"modified":"2021-02-15T14:13:29","modified_gmt":"2021-02-15T14:13:29","slug":"secondary-literature","status":"publish","type":"page","link":"https:\/\/britishjewishtheatre.org\/?page_id=271","title":{"rendered":"Secondary Literature"},"content":{"rendered":"

Abrams, Nathan. Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture<\/em>. Evanston, Illinois: Northwestern UP, 2016. Print.<\/p>\n

Ackermann, Zeno. \u201cKontinuit\u00e4t, Kompensation und \u2018Aufarbeitung\u2019: Zur Kaufmann-Rezeption der fr\u00fchen Bundesrepublik.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 63\u201383. Print. Conditio Judaica 78.<\/p>\n

Ackermann, Zeno, and Sabine Sch\u00fclting. \u201cEinleitung: \u00dcberlegungen zu einer Kulturgeschichte der Shylock-Figur seit 1945.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 3\u201310. Print. Conditio Judaica 78.<\/p>\n

—. eds. Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Berlin: De Gruyter, 2011. Print. Conditio Judaica 78.<\/p>\n

—. \u201cVorwort.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 1\u20132. Print. Conditio Judaica 78.<\/p>\n

Alexander, Michael. Jazz Age Jews<\/em>. Princeton: Princeton UP, 2001. Print.<\/p>\n

Alter, Robert. Defenses of the Imagination: Jewish Writers and Modern Historical Crisis<\/em>. Philadelphia: Jewish Publication Society of America, 1977. Print.<\/p>\n

Amer, Matthew. \u201cPlaywright Arnold Wesker Dies, Aged 83.\u201d Official London Theatre<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Aviv, Caryn, and David Shneer. New Jews: The End of the Jewish Diaspora<\/em>. New York: New York UP, 2005. Print.<\/p>\n

Baker, William, and Jeanette R. Shumaker. Bernard Kops: Fantasist, London Jew, Apocalyptic Humorist<\/em>. Lanham: Fairleigh Dickinson, 2013. Print.<\/p>\n

Bargetto, Paul. \u201cBiography: Tadeusz S\u0142obodzianek.\u201d Culture.pl <\/em>(2016). Print.<\/p>\n

Barraclough, Leo. \u201cBritish Playwright Arnold Wesker Dies at 83.\u201d Variety<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Baskin, Judith R., ed. The Cambridge Dictionary of Judaism and Jewish Culture<\/em>. Cambridge, New York: Cambridge UP, 2011. Print.<\/p>\n

Behlau, Ulrike, and Bernhard Reitz. \u201cIntroduction: British- and American-Jewish Women’s Writing of the 1990s and Beyond.\u201d Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 9\u201313. Print. MUSE: Mainz University Studies in English Vol. 5.<\/p>\n

—. eds. Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Trier: Wissenschaftlicher Verlag Trier, 2004. Print. MUSE: Mainz University Studies in English Vol. 5.<\/p>\n

Behlau-Dengler, Ulrike. Zakhor! Remembering the British-Jewish Experience in British-Jewish Drama After 1945<\/em>. Trier: Wissenschaftlicher Verlag Trier, 2011. Print. CDE Studies 21.<\/p>\n

Belkin, Ahuva, ed. Jewish Theatre: Tradition and Transition and Intercultural Vistas<\/em>. Tel Aviv: Assaph Books, 2008. Print.<\/p>\n

Bell, Dean P. The Bloomsbury Companion to Jewish Studies<\/em>. London: Bloomsbury Publishing, 2013. Print.<\/p>\n

Berkoff, Steven. Free Association: An Autobiography<\/em>. London: Faber and Faber, 1996. Print.<\/p>\n

Berkowitz, Joel. \u201cTheater, Yiddish.\u201d The Cambridge Dictionary of Judaism and Jewish Culture<\/em>. Ed. Judith R. Baskin. Cambridge, New York: Cambridge UP, 2011. 600\u201301. Print.<\/p>\n

Bial, Henry. Acting Jewish: Negotiating Ethnicity on the American Stage & Screen<\/em>. Ann Arbor: U of Michigan P, 2005. Print.<\/p>\n

Billington, Michael. \u201cReview: Primo, National Theatre.\u201d The Guardian<\/em> 1 Jan. 2004. Print.<\/p>\n

—. \u201cJ is for Jewish Dramatists.\u201d The Guardian<\/em> 14 Feb. 2012. Web. 28 Apr. 2016.<\/p>\n

—. \u201cArnold Wesker: The Radical Bard of Working Britain.\u201d 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Brauner, David. Post-War Jewish Fiction: Ambivalence, Self-Explanation and Transatlantic Connections<\/em>. Basingstoke: Palgrave, 2001. Print.<\/p>\n

Brauner, David, and Axel St\u00e4hler. The Edinburgh Companion to Modern Jewish Fiction<\/em>. Edinburgh: Edinburgh UP, 2015. Print.<\/p>\n

Brecher, Daniel C. A Stranger in the Land: Jewish Identity Beyond Nationalism<\/em>. New York: Other Press, 2007. Print.<\/p>\n

Bronfen, Elisabeth. \u201cMan wird weder als Frau noch als Jude geboren: Was wir von Lubitschs \u00fcber den Kaufmann von Venedig lernen k\u00f6nnen.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 201\u201317. Print. Conditio Judaica 78.<\/p>\n

Cappell, Ezra. \u201cSarah Blacher Cohen’s Comic Drama of Disability.\u201d Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 53\u201359. Print. MUSE: Mainz University Studies in English Vol. 5.<\/p>\n

Cavendish, Dominic. \u201cIs ‘Our Class’ at the National Theatre Really Such a Reliable History Lesson?\u201d The Telegraph<\/em> 1 Jan. 2009. Print.<\/p>\n

Cesarani, David, ed. The Making of Modern Anglo-Jewry<\/em>. Oxford: Blackwell, 1990. Print.<\/p>\n

—. \u201cThe Dynamics of Diaspora: The Transformation of British Jewish Identity.\u201d Jewish Culture and History <\/em>4.1 (2001): 53\u201364. Print.<\/p>\n

Chan, Sewell. \u201cArnold Wesker, Who Wrote British Dramas of the Working Class, Dies at 83.\u201d New York Times<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Cheyette, Bryan. \u201c\u2018Ineffable and Usable\u2019: Towards a Diasporic British\u2010Jewish Writing.\u201d Textual Practice <\/em>10.2 (1996): 295\u2013313. Print.<\/p>\n

—. Contemporary Jewish Writing in Britain and Ireland: An Anthology<\/em>. Lincoln: U of Nebraska P, 1998. Print.<\/p>\n

Chilton, Martin. \u201cArnold Wesker, Playwright, Dies Aged 83.\u201d The Telegraph<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Cohen, Robin. Global Diasporas: An Introduction<\/em>. 2nd ed. London, New York: Routledge, 2008. Print.<\/p>\n

Cross, Robert. Steven Berkoff and the Theatre of Self-Performance<\/em>. Manchester: Manchester UP, 2004. Print.<\/p>\n

Dobrowolski, Andrzej, and Agata Dudek. \u201cOur Class in New York.\u201d Culture.pl <\/em>(2010). Print.<\/p>\n

Doherty, Rosa. \u201cLabour Councillor Called for the Relocation of Jews.\u201d The Jewish Chronicle<\/em> 2 May 2016. Print.<\/p>\n

Dysch, Marcus. \u201cPlaywright Sir Arnold Wesker Dies Aged 83.\u201d The Jewish Chronicle<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Efron, John M. The Jews: A History<\/em>. Oxon, New York: Routledge, 2009. Print.<\/p>\n

Endelman, Todd M. The Jews of Britain, 1656 to 2000<\/em>. Berkeley: U of California P, 2002. Print. Jewish Communities in the Modern World 3.<\/p>\n

Fabriczki, Franciska. \u201cDirectors Mike Leigh and Ken Loach Call for Boycott of Israel Film Festival.\u201d The Jewish Chronicle<\/em> 1 Jan. 2015. Print.<\/p>\n

Fainlight, Ruth. \u201cKeeper.\u201d Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 15. Print. MUSE : Mainz University Studies in English Vol. 5.<\/p>\n

Feinberg, Anat. \u201cTheater: Europe.\u201d The Cambridge Dictionary of Judaism and Jewish Culture<\/em>. Ed. Judith R. Baskin. Cambridge, New York: Cambridge UP, 2011. 593\u201394. Print.<\/p>\n

—. \u201cVom b\u00f6sen Nathan und edlen Shylock: \u00dcberlegungen zur Konstruktion j\u00fcdischer B\u00fchnenfiguren in Deutschland nach 1945.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 41\u201361. Print. Conditio Judaica 78.<\/p>\n

Finlay, Joseph. \u201cThere’s No Place Like Home.\u201d Jewish Quaterly<\/em> 7 May 2009. Web. 14 Apr. 2016.<\/p>\n

Fludernik, Monika. Diaspora and Multiculturalism: Common Traditions and New Developments<\/em>. Amsterdam: Rodopi, 2003. Print. Cross Cultures 66.<\/p>\n

Franchi, Francesca. Directory of Performing Arts Resources<\/em>. London: Society for Theatre Research; Theatre Museum, 1998. Print.<\/p>\n

Galchinsky, Michael. \u201cThe New Anglo-Jewish Literary Criticism.\u201d Prooftexts <\/em>1.3 (1995): 272\u201382. Print.<\/p>\n

Gilbert, Ruth. Writing Jewish: Contemporary British-Jewish Literature (1990-the present)<\/em>. Palgrave, 2013. Print.<\/p>\n

—. \u201d\u2018Genes, Shmenes\u2019: Jew-ish Identities in Contemporary British Jewish Writing\u201d. European Judaism: A Journal for the New Europe<\/em> 47.2 (2014): 12\u201320. Print.<\/p>\n

—. \u201cDisplaced, Dysfunctional & Divided: Contemporary British Jewish Writing.\u201d Whatever Happened to British-Jewish Studies?, Special Issue of Jewish Culture and History<\/em> 12.1\u20132 (2010): 267\u201380. Print.<\/p>\n

—.\u201dContemporary British-Jewish Writing: From Apology to Attitude.\u201d Literature Compass<\/em> 5 (2008): 394\u2013406. Print.<\/p>\n

—.\u201dThe Golem in the Attic: Jewish Memory and Identity in Rachel Lichtenstein and Iain Sinclair\u2019s Rodinsky\u2019s Room.\u201d Jewish Culture and History<\/em> 9.1 (2007): 51\u201370. Print.<\/p>\n

—. \u201dEver After: Postmemory, Fairy Tales and the Body in Second-Generation Memoirs by Jewish Women.\u201d Holocaust Studies<\/em> 12. 3 (2006): 23\u201339. Print.<\/p>\n

—. \u201cReality Gaps: Negotiating the Boundaries of British Jewish Identities in Contemporary Fiction.\u201d Boundaries, Identity and Belonging in Modern Judaism<\/em>. Ed. Maria Diemling and Larry Ray. London: Routledge, 2015. 107-20. Print.<\/p>\n

—. \u201cJewish, Half-Jewish, Jew-ish: Negotiating Identities in Contemporary British-Jewish Literature.\u201d Edinburgh Companion to Modern Jewish Literature<\/em>. Ed. David Brauner and Axel St\u00e4hler. Edinburgh: Edinburgh UP, 2014. 210-20. Print.<\/p>\n

Gilman, Sander L. The Jew’s Body<\/em>. New York: Routledge, 1991. Print.<\/p>\n

—. Making the Body Beautiful: A Cultural History of Aesthetic Surgery<\/em>. Princeton: Princeton UP, 1999. Print.<\/p>\n

Ginsberg, Elaine K., ed. Passing and the Fictions of Identity<\/em>. Durham: Duke UP, 1996. Print.<\/p>\n

Glancy, Josh. \u201cCan You Still Be Jewish on the British Left?\u201d Tablet Mag<\/em> 25 Mar. 2015. Web. 28 Apr. 2016.<\/p>\n

Gluzman, Michael. The Politics of Canonicity: Lines of Resistance in Modernist Hebrew Poetry<\/em>. Stanford: Stanford UP, 2003. Print.<\/p>\n

Greenhalgh, Susanne. \u201c\u2019A Space for Me:\u2019 Jewishness, Memory, and Identity in Julia Pascal’s Holocaust Trilogy.\u201d Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 29\u201340. Print. MUSE: Mainz University Studies in English Vol. 5.<\/p>\n

Greiner, Bernhard. \u201cIs that the Law? Die Metaphorisierung des Rechts als Problem der Interpretation des Kaufmann von Venedig.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 189\u2013200. Print. Conditio Judaica 78.<\/p>\n

Guest, Katy. \u201cShelley Silas and Evan Davis Share Their Coming Out Experiences.\u201d Independent<\/em> 12 Oct. 2013. Web. 21 Apr. 2016.<\/p>\n

Hamburger, Maik. \u201cUnser Shakespeare \u2013 Ein Judenfeind? Der Kaufmann von Venedig auf den B\u00fchnen der DDR.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 85\u201399. Print. Conditio Judaica 78.<\/p>\n

Hewis, Ben. \u201cArnold Wesker in Quotes.\u201d WhatsOnStage<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Hirsh, David. \u201cAnti-Zionism and Antisemitism: Cosmopolitan Reflections.\u201d dissentmagazine.org <\/em>(2007). Web. 14 Aug. 2018.<\/p>\n

—. \u201cPortia, Shylock and the Exclusion of Israeli Actors from the Global Cultural Community.\u201d Engage <\/em>(2012). Print.<\/p>\n

Hirte, Marion. \u201cBesichtigung einer Mehrheitsgesellschaft: Dramaturgische Thesen zu einem aktuellen Inszenierungsansatz des Kaufmann von Venedig.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 159\u201368. Print. Conditio Judaica 78.<\/p>\n

Innes, Christopher D., Katherine Carlstrom, and Scott Fraser. Twentieth Century British and American Theatre: A Critical Guide to Archives<\/em>. Aldershot: Ashgate, 1999. Print.<\/p>\n

Jacobs, Gerald. \u201cReview: The Holy Rosenbergs.\u201d The Jewish Chronicle<\/em> 1 Jan. 2011. Print.<\/p>\n

Jays, David. \u201c’We’ve Been Ashamed of Our Voice’: The Secret History of UK Jewish Theatre.\u201d The\u00a0<\/em>Guardian<\/i>\u00a013 March 2019. Web. 2 Apr. 2019.<\/p>\n

Judah, Ben and Josh Glancy. \u201cA Polite Hatred Howard: Jacobson on Anti-Semitism in the UK.\u201d Tablet Mag<\/em> 25 Feb. 2015. Web. 28 Apr. 2016.<\/p>\n

Julius, Anthony. Trials of the Diaspora: A History of Anti-Semitism in England<\/em>. Oxford: Oxford UP, 2010. Print.<\/p>\n

Kahn, Barbara. \u201cUsing Facts in Fiction: Notes on Writing Historical Plays.\u201d Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 41\u201352. Print. MUSE: Mainz University Studies in English Vol. 5.<\/p>\n

Kirka, Danika. \u201cProlific British Playwright Arnold Wesker Dies at Age 83.\u201d Bozeman Daily Chronicle<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Knepper, Paul. \u201cThe Other Invisible Hand: Jews and Anarchists in London Before the First World War.\u201d Jewish History <\/em>22.3 (2008): 295\u2013315. Print.<\/p>\n

Knowles, Richard P. Theatre & Interculturalism<\/em>. Houndmills: Palgrave, 2010. Print.<\/p>\n

Kosmin, Barry A. \u201cRadical Assimilation in English Jewish History 1656-1945.\u201d Shofar: An Interdisciplinary Journal of Jewish Studies <\/em>9.3 (1991): 143\u201344. Print.<\/p>\n

Krausz, Ernest, and Gitta Tulea. Jewish Survival: The Identity Problem at the Close of the Twentieth Century<\/em>. New Brunswick: Transaction Publishers, 1998. Print.<\/p>\n

Kurkiewicz, Juliusz, and Joanna Dutkiewicz. \u201cTadeusz S\u0142obodzianek: Work ‘Our Class’.\u201d Culture.pl <\/em>(2010). Print.<\/p>\n

Kushner, Antony R. J., ed. The Jewish Heritage in British History: Englishness and Jewishness<\/em>. London: Cass, 1992. Print.<\/p>\n

Kushner, Tony. \u201cAnglo Jewish Museology and Heritage, 1887 to Present.\u201d Jewish Cultures: With Contributions on Museology, British Jewish Cinema, Ultraorthodox Jews, Postmemorial Art, and Contemporary British Jewish Fiction<\/em>. Ed. Claudia Sternberg. T\u00fcbingen: Narr, 2009. 11\u201325. Print. Journal for the Study of British Cultures 1.<\/p>\n

—. Anglo-Jewry since 1066: Place, Locality and Memory<\/em>. Manchester: Manchester UP, 2009. Print.<\/p>\n

Kustow, Michael. Peter Brook: A Biography<\/em>. New York: St. Martin’s Press, 2005. Print.<\/p>\n

Lassner, Phyllis. \u201cExiles from Jewish Memory: Anita Brookner’s Anglo-Jewish Aesthetic.\u201d Tulsa Studies in Women’s Literature <\/em>29.1 (2010): 47\u201361. Print.<\/p>\n

Lawson, Peter. Anglo-Jewish Poetry from Isaac Rosenberg to Elaine Finestein<\/em>. Middlesex: Vallentine Mitchell, 2006. Print.<\/p>\n

—. \u201cAnglo-Jewish Theatre.\u201d The Cambridge Dictionary of Judaism and Jewish Culture<\/em>. Ed. Judith R. Baskin. Cambridge, New York: Cambridge UP, 2011. 592\u201393. Print.<\/p>\n

Lezard, Nicholas. \u201cIs Howard Jacobson the Only Person Writing British Jewish Novels?\u201d The Guardian<\/em> 15 Oct. 2010. Print.<\/p>\n

Lipman, Jennifer. \u201cMike Leigh Cancels Israel Visit over ‘Conscience’.\u201d The Jewish Chronicle<\/em> 1 Jan. 2010. Print.<\/p>\n

Lubrich, Oliver. \u201cGegenl\u00e4ufige Affektsteuerung und paradoxaler Antisemitismus.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 171\u201388. Print. Conditio Judaica 78.<\/p>\n

Magoon, Joseph. Anglo Jewish Literature: A Guide to Background and Bibliography: A Notebook<\/em>. Bournemouth: Joseph Magoon, 1990. Print.<\/p>\n

Malkin, Jeanette R. Memory-Theater and Postmodern Drama<\/em>. Ann Arbor: U of Michigan P, 1999. Print.<\/p>\n

Malkin, Jeanette R., and Freddie Rokem, eds. Jews and the Making of Modern German Theatre<\/em>. Iowa City: U of Iowa P, 2010. Print.<\/p>\n

Malkin, Jeanette R., Eckart Voigts, Sarah J. Ablett, Companion to British-Jewish Theatre since the 1950s<\/em> London: Bloomsbury Methuen Drama, 2021. Print.<\/p>\n

Meyerowitz, Rael. Transferring to America: Jewish Interpretations of American Dreams<\/em>. Albany: State U of New York P, 1995. Print.<\/p>\n

Middeke, Martin, Peter P. Schnierer, and Aleks Sierz, eds. The Methuen Drama Guide to Contemporary British Playwrights<\/em>. London: Methuen Drama, 2011. Print.<\/p>\n

Nathan, John. \u201cHow Nicholas Hytner Made the National a Jewish Theatre.\u201d The Jewish Chronicle<\/em> 1 Jan. 2011. Print.<\/p>\n

—. \u201cBetter than Chicken Soup – Arnold Wesker, Britain’s Ibsen.\u201d The Jewish Chronicle<\/em> 3 June 2011. Print.<\/p>\n

National Theatre. \u201cRyan Craig and Laurie Sansom discuss ‘The Holy Rosenbergs’.\u201d Youtube <\/em>(2011).<\/p>\n

Neumeier, Beate. J\u00fcdische Literatur und Kultur in Grossbritannien und den USA nach 1945<\/em>. Wiesbaden: Harrassowitz, 1998. Print. J\u00fcdische Kultur Vol. 3.<\/p>\n

—. \u201cKindertransport: Childhood Trauma and Diaspora Experience.\u201d Jewish Women’s Writing of the 1990s and Beyond in Great Britain and the United States<\/em>. Ed. Ulrike Behlau and Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2004. 61\u201370. Print. MUSE: Mainz University Studies in English Vol. 5.<\/p>\n

Pascal, Julia. \u201cSir Arnold Wesker Obituary.\u201d The Guardian <\/em>(2016). Web. 13 June 2016.<\/p>\n

Pavis, Patrice, ed. The Intercultural Performance Reader<\/em>. London: Routledge, 1996. Print.<\/p>\n

Pfefferman, Naomi. \u201cHabonim Spirit Influences Work of Director Mike Leigh in \u2018Happy-Go-Lucky\u2019.\u201d Jewish Journal<\/em> 1 Jan. 2008. Print.<\/p>\n

Quinn, Ben. \u201cBritish Playwright Arnold Wesker Dies, Aged 83.\u201d The Guardian<\/em> 12 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Reinfeldt, Franziska. \u201c\u2019Nimm dich dieser Fremden an\u2019: Die Figur der Jessica in aktuellen Inszenierungen des Kaufmann von Venedig.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 143\u201358. Print. Conditio Judaica 78.<\/p>\n

Ritchie, J. M. German-speaking Exiles in Great Britain<\/em>. Amsterdam: Rodopi, 2001. Print. Yearbook of the Research Centre for German and Austrian Exile Studies 3.<\/p>\n

Rokem, Freddie. \u201cTheater: Israel.\u201d The Cambridge Dictionary of Judaism and Jewish Culture<\/em>. Ed. Judith R. Baskin. Cambridge, New York: Cambridge UP, 2011. 594\u201396. Print.<\/p>\n

Roselt, Jens. \u201c\u2019Was bildet sich der Jude ein?\u2019: Der K\u00f6rper des Schauspielers als Echoraum der Geschichte.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 133\u201342. Print. Conditio Judaica 78.<\/p>\n

Round, Simon. \u201cInterview: Steven Berkoff.\u201d The Jewish Chronicle <\/em>(2009). Web. 13 June 2016.<\/p>\n

Rozik, Eli. Jewish Drama & Theatre: From Rabbinical Intolerance to Secular Liberalism<\/em>. Eastbourne: Sussex Academic Press, 2013. Print.<\/p>\n

Sachar, Howard M. The Course of Modern Jewish History<\/em>. New York: Vintage Books, 1990. Print.<\/p>\n

Samuels, Diane. Diane Samuels’ Kindertransport. The Author’s Guide to the Play<\/em>. London: Nick Hern Books, 2014. Print.<\/p>\n

Schaffer, Gavin. \u201cDilemmas of Jewish Difference: Reflections on Contemporary Research into Jewish Origins and Types from an Anglo-Jewish Historical Perspective.\u201d Jewish Culture and History <\/em>12.1&2 (2010): 75\u201394. Print.<\/p>\n

Schenkel, Guido. \u201c\u2019Darf der Jude b\u00f6se sein?\u2019: Der Kaufmann von Venedig im \u2018normalisierten\u2019 Deutschland.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 117\u201331. Print. Conditio Judaica 78.<\/p>\n

Sch\u00fclting, Sabine. \u201cShylock als Erinnerungsfigur.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur<\/em>. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 103\u201316. Print. Conditio Judaica 78.<\/p>\n

Schumacher, Claude, ed. Staging the Holocaust: The Shoah in Drama and Performance<\/em>. Cambridge: Cambridge UP, 1998. Print.<\/p>\n

Sicher, Efraim. Beyond Marginality: Anglo-Jewish Literature After the Holocaust<\/em>. Albany: State U of New York P, 1985. Print.<\/p>\n

Sierz, Aleks. \u201cOne Jewish Boy, Old Red Lion Theatre.\u201d Aleks Sierz<\/em> 18 Dec. 2018. Web. 7 Apr. 2019.<\/p>\n

Sherwood, Harriet. \u201cLife Imitates Art as Play About Antisemitism Faces Wave of Abuse.\u201d The Guardian<\/em> 9 Dec. 2018. Web. 7 Apr. 2019.<\/p>\n

Skloot, Robert. \u201cHolocaust Representation: Drama.\u201d The Cambridge Dictionary of Judaism and Jewish Culture<\/em>. Ed. Judith R. Baskin. Cambridge, New York: Cambridge UP, 2011. 250\u201351. Print.<\/p>\n

Smith, Rupert. \u201cThe Great Pretender. Interview with Antony Sher.\u201d The Guardian<\/em> 1 Jan. 2001. Print.<\/p>\n

Snow, Georgia. \u201cPlaywright Arnold Wesker Dies at 83.\u201d The Stage<\/em> 13 Apr. 2016. Web. 14 Apr. 2016.<\/p>\n

Solomons, Jason. \u201cSo How Jewish are Mike Leigh’s Films?\u201d The Jewish Chronicle Online<\/em> 24 Nov. 2014. Print.<\/p>\n

Sonntag, Jacob. Jewish Perspectives: 25 Years of Modern Jewish Writing<\/em>. London: Secker & Warburg, 1980. Print.<\/p>\n

Spencer, Charles. \u201cReview: The Holy Rosenbergs.\u201d The Telegraph<\/em> 1 Jan. 2011. Print.<\/p>\n

St\u00e4hler, Axel. \u201cMetonymies of Jewish Postcoloniality: The British Mandate for Palestine and Israel in Contemporary Jewish Fiction.\u201d Jewish Theatre: Tradition and Transition and Intercultural Vistas<\/em>. Ed. Ahuva Belkin. Tel Aviv: Assaph Books, 2008. 27\u201340. Print.<\/p>\n

St\u00e4hler, Axel, ed. Anglophone Jewish Literature<\/em>. London: Routledge, 2007. Print.<\/p>\n

Sternberg, Claudia. \u201cIntroduction.\u201d Jewish Cultures: With Contributions on Museology, British Jewish Cinema, Ultraorthodox Jews, Postmemorial Art, and Contemporary British Jewish Fiction<\/em>. Ed. Claudia Sternberg. T\u00fcbingen: Narr, 2009. 3\u201310. Print. Journal for the Study of British Cultures 1.<\/p>\n

—. ed. Jewish Cultures: With Contributions on Museology, British Jewish Cinema, Ultraorthodox Jews, Postmemorial Art, and Contemporary British Jewish Fiction<\/em>. T\u00fcbingen: Narr, 2009. Print. Journal for the Study of British Cultures 1.<\/p>\n

Taylor-Batty, Mark. The Theatre of Harold Pinter<\/em>. London: Bloomsbury Methuen Drama, 2014. Print.<\/p>\n

—. \u00a0About Pinter: The Playwright and the Work<\/em>. London: Faber and Faber, 2005. Print.<\/p>\n

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Abrams, Nathan. Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture. Evanston, Illinois: Northwestern UP, 2016. Print. Ackermann, Zeno. \u201cKontinuit\u00e4t, Kompensation und \u2018Aufarbeitung\u2019: Zur Kaufmann-Rezeption der fr\u00fchen Bundesrepublik.\u201d Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Ed. Zeno Ackermann and Sabine Sch\u00fclting. Berlin: De Gruyter, 2011. 63\u201383. Print. Conditio […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":267,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-271","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=271"}],"version-history":[{"count":14,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/271\/revisions"}],"predecessor-version":[{"id":3073,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/271\/revisions\/3073"}],"up":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/267"}],"wp:attachment":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}