{"id":2491,"date":"2019-07-10T14:22:54","date_gmt":"2019-07-10T14:22:54","guid":{"rendered":"https:\/\/britishjewishtheatre.org\/?page_id=2491"},"modified":"2019-07-19T13:06:40","modified_gmt":"2019-07-19T13:06:40","slug":"christopher-daniels-alexa","status":"publish","type":"page","link":"https:\/\/britishjewishtheatre.org\/?page_id=2491","title":{"rendered":"Christopher-Daniels, Alexa"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Alexa Christopher-Daniels is a theatre director and creative practitioner. She holds a BA in English Language and Literature from King&#8217;s College London and trained at the London Centre for Psychodrama. She is the daughter of theatre producer and playwright <a href=\"https:\/\/britishjewishtheatre.org\/?page_id=1345\">Brian Daniels<\/a> and has worked closely with him as a dramaturg and script editor on his plays<em> Where\u2019s Your Mama Gone?<\/em> (2011) and <em>Finishing Touches<\/em> (2017), which she also directed. Furthermore, she directed Brian Daniels&#8217; play <em>Both Sides Now<\/em> (2019).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alexa Christopher-Daniels is artistic director of Gems of Mazal and Meow Kacha. For her arts company Gems of Mazal, Christopher-Daniels has directed numerous productions in the UK and Tel Aviv, Israel. She is co-director of The She Festival, which was first realised as a forerunner to 2011&#8217;s International Women&#8217;s Day and for which Hampstead&#8217;s New End Theatre collaborated with the Karov in Tel Aviv. The productions focus on the role of women across British and Israeli society.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alexa Christopher-Daniels is a theatre director and creative practitioner. She holds a BA in English Language and Literature from King&#8217;s College London and trained at the London Centre for Psychodrama. She is the daughter of theatre producer and playwright Brian Daniels and has worked closely with him as a dramaturg and script editor on his [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":561,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2491","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/2491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2491"}],"version-history":[{"count":7,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/2491\/revisions"}],"predecessor-version":[{"id":2761,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/2491\/revisions\/2761"}],"up":[{"embeddable":true,"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/561"}],"wp:attachment":[{"href":"https:\/\/britishjewishtheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}